Here’s a way to create a View (Drupal 7, Views 3.x) that lets you browse an arbitrarily-deep taxonomy hierarchy. With this type of browser you can link, oh, say, a large collection of videos, or photo galleries, or any kind of huge list of content categorized in a nested tree.

First, an simple static taxonomy term browser:

Cool things I learned about at Drupalcon DC include (but are not limited to) the following:

• There is a Drupal 6 theme starter app whose maintainer is constantly improving it.
• Usability studies have proven that I am not the only one who couldn’t figure out WTF to do with the welcome screen on my first Drupal install.
• A lot of the modules that seem like they should be in core but probably won’t be in Drupal 7, are left out because Token is unlikely to be included and many of them rely on Token.

As usual, more coming…

I can positively affirm that the free tee-shirts given out with DrupalCon 09 registration are quality. The medium size fits me perfectly and the cotton is nice and soft and thick. Overall very wearable. Caveat: they’re not pre-shrunk so they will shrink.

I have a lot of actually relevant info to post but that will have to wait. Topics will include:

• Theming tips and best practices
• Awesome stuff (eg. fields!) that will be built-in to Drupal 7
• Awesome stuff that won’t be in core in Drupal 7, and why it won’t (Hint: if it depends on something that won’t make core, it can’t go in core either)
• Some other stuff.

Overall it’s been enjoyable and packed with information so far. I only wish I could go to more sessions.

In case you’re not super minimal like we are and don’t already know, Richie Hawtin is the Berlincoolest musician ever. His label, M-NUS, is celebrating its 10th anniversary with, among other things, a blue lighted cube (pictured left). Ali Demirel, visualist for Richie Hawtin, includes Quartz Composer in his arsenal of interactive and realtime media tools, and has been using a couple of Kineme tools to control and interact with his visuals.

He used Particle Tools to get some interesting effects in the visuals displayed behind the musicians during their set. He modified the “Fire” sample to fit with the other visuals and the music.

He also used Kineme File Tools String with URL to access the information acquired by the Cube. Members had RFID chipcards, and it would get their name whenever anyone held up their RFID chipcard to it. Demirel then chose the right moment to display their name in the visuals.

For an interview with Mr. Demirel, including links to videos, check out the full story on Kosada.com.

Remember those weird things we built for PURE a couple years ago, and posted creepy photos of? Well it’s become a traveling freakshow of stochastic electronic goodness, appearing after its initial Boston display at electro-music 2007 in Philadelphia, and soon to be inflicted on the public again at Notacon in Cleveland, April 4th - 6th, 2008. Come check it out, and we might lovingly assault your ears with our mental vibrational energies if you’re lucky.

Remember how in 2004 everyone was so freaked out about the terrific hackability of both the hardware and software of Diebold and other electronic voting machines? Well, the fuss has sort of died down about that. (Not that there was any reason for it to – there are no reports that the problems with the machines were ever adequately addressed.) And anyway, what vigilante dictator has the time or inclination to mess around with all that techno-crap involved in hacking a voting machine? Key-cutting takes all of 2-5 minutes per key, and firmware hacking involves learning boring things, like what firmware is. It’s enough to get a would-be crooked election worker or stealth saboteur to give up and go back to throwing Molotov cocktails at Planned Parenthood staff.

But don’t give up yet, all you burgeoning totalitarians out there! For here I shall reveal a much simpler (albeit slightly less efficient) method of voting fraud. Here is what I learned in my absentee-ballot-casting experience. Oh yeah, and dear internets: please use this for good and not evil. And also don’t use it at all.

Paper Is Bad Records, Inc. was formed with no fanfare whatsoever back in 2005 by some of the people behind Tuesday Afternoon at China Wong Buffet as a venue for production and distribution of the resulting DVD. The DVD was a huge success and we all became rock stars. In our decadent complacency, we never got around to making a website for our one-hit-wonder.

The Bower VL46TC Titanium Super Wide-Angle “Fisheye” lens with “macro” claims to be:

• “Titanium” (I think it’s actually aluminum)
• “High Resolution” (It’s a glorified magnifying glass, so it unavoidably blurs around the edges.)
• “Digital” (This one baffles me. It contains no electronic parts whatsoever.)
• “AF” (AutoFocus. Again, contains no electronics, or even moving parts. My lens’s autofocus still works when this is attached, for the most part. However, under some circumstances, the attachments confuse the camera and necessitate manual focus.)
• “To fit : […] ALL FINE SLR CAMERAS.”

OK, now the fun stuff: pictures!

So, last weekend I decided to learn PHP. I went through a tutorial, orchestrated a lovely rendition of “hello, world!”, and then decided I needed a more challenging project.

So I made an Interactive Argyle Generator.

You can see the current version of it here.

Once upon a time there was a bear who lived in a cave in the forest.

In front of its cave flowed a sparkling stream full of delicious Jell-O.

From: French Impossible <tsvytkoxaj @projectdelivery.com>                                                                                                                                                        
Subject: ar Etail Invades Real

I searched for this in English and couldn’t find it with a Google once-over. So I decided to translate Warum gabst du uns die tiefen Blicke myself (with the help of leo.org). This translation is a bit creative, especially with the punctuation. But I think Goethe would understand.

Why give us insight?
by Johann Wolfgang von Goethe, translated from the German by me.

Why give us the ability
to see consciously our destiny:
our love, our earthly happiness,
and to blissfully fancy
that we can ignore our foreboding?