now playing:
Paper Is Bad Records, Inc. was formed with no fanfare whatsoever back in 2005 by some of the people behind Tuesday Afternoon at China Wong Buffet as a venue for production and distribution of the resulting DVD. The DVD was a huge success and we all became rock stars. In our decadent complacency, we never got around to making a website for our one-hit-wonder. [more...]
[Editor’s note: This post (including the above title) was written by mradcliffe immediately following a day spent with project ruori. It is unedited and uncensored, and is presented to the reader as a demonstration of the deleterious effects of association with said collective.]
It was brought to my attention a couple of weeks ago that I would be “performing” with project ruori at PURE. I wouldn’t say “brought to my attention.” More like “forced upon my sleepy eyes as I sat entrapped away from my own home.” I had only planned on seeing Phung before he left, but poor logistics and fate led me to PURE. [more...]
…is in your near future.”
— fortune cookie from tonight’s dinner.
Near indeed.
The fortune I discovered in my wallet yesterday — “We are here to create / not merely survive” — was inspiring. This one was just scary.
We have a little over a week before we’re performing in Boston [more...]
To the ruoriJews reading this: Shanah Tovah, and I hope you had a meaningful fast. To everyone else: Happy Monday.
My Yom Kippur was very hectic — I compressed this year’s atonement into a few hours this morning. Then for the afternoon, I headed over to the softpixel/ruori megalab to convert snack foods into mental energy and mental energy into a set of chaotic probability-driven sonatas for three theremin-like light-sensing instruments we’re almost done building.
So I guess I sacrificed my sacrifice for my art. [more...]
It’s been about three weeks since we heard that we will be going to Boston to do a performance and installation at PURE.
Our proposal included an acrylic glass plinko machine (a la The Price is Right) and three hanging fabric cocoons. There will be a performer in each cocoon and a fourth performer dropping ping pong balls into the plinko machine. As the balls come out the three holes in the bottom of the machine, they will trigger the performers to change an ongoing soundscape in some way. Eventually, the person dropping the ping pong balls will replace himself with an automated device, the automated device will run out of balls, and the performers in the cocoons will leave behind the soundscape controllers for the audience to play with. [more...]
Tonight we had a short conversation with Laurie Anderson after she performed as Denison University’s 2006 convocation.
Melinda approaches Laurie Anderson.
Laurie Anderson: Hello.
Melinda: Hi! I’m Melinda.
Laurie Anderson shakes Melinda’s hand.
Melinda: And this is Steve. [more...]
